Blurring the boundary between the digital and physical in social activity spaces helps blend - and motivate - online and face-to-face community participation. This paper discusses two experimental installations of large screen displays at conferences - CHI 2002 and CSCW 2002. The displays offered a window in the conference arena onto online community information.

People routinely rely on physical and electronic systems to remind themselves of details regarding personal and organizational contacts. These systems include rolodexes, directories and contact databases. In order to access details regarding contacts, users must typically shift their attention from tasks they are performing to the contact system itself in order to manually look-up contacts. This paper presents an approach for automatically retrieving contacts based on users' current context. Results are presented to users in a manner that does not disrupt their tasks, but which allows them to access contact details with a single interaction. The approach promotes the discovery of new contacts that users may not have found otherwise and supports serendipity.

This edited volume brings together projects funded by, or related to, the European i3 initiative. Projects address the design, development and use of rich, digital information spaces for collocated and distributed collaboration.

Public and situated display technologies have an important impact on individual and social behaviour and present us with particular interesting new design considerations and challenges. While there is a growing body of research exploring these design considerations and social impacts this work remains somewhat disparate, making it difficult to assimilate in a coherent manner. This book brings together the perspective of key researchers in the area of public and situated display technology. The chapters detail research representing the social, technical and interactional aspects of public and sitauted display technologies. The underlying concern common to these chapters is how these displays can be best designed for collaboration, coordination, community building and mobility.

The sharing of digital materials within online communities has increased significantly in recent years. Our work focuses on promoting community information sharing in public spaces using large screen, interactive, digital poster boards called the Plasma Posters. In this chapter we first describe our fieldwork-led, iterative design process, and elaborate a number of design guidelines that resulted. Following this, the design and development of the Plasma Posters themselves and the underlying network infrastructure is discussed. Finally, we present results from qualitative and quantitative evaluations over the course of a ten-month deployment of three Plasma Posters within our own organization, a software research community made up of technologists and designers. We conclude with observations regarding ergonomic, social and other factors that were raised during the design and deployment and offer reflections on factors in the success of this deployment.

We describe a novel interface for presenting interactive content on public digital bulletin boards. Inspired by paper fliers on physical bulletin boards, posted content is displayed using 3D virtual fliers attached to a virtual corkboard by virtual pushpins. Fliers appear in different orientations, creating an attractive, informal look, and have autonomous behaviors like fluttering in the wind. Passers-by can rotate, move and fold fliers; they can also interact with fliers' live content. Flier content is streamed from a server and represented by the system on large screen displays using a real-time cloth simulation algorithm. We describe our prototype, and offer the results of an initial evaluative user study.

We present similarity-based methods to cluster digital photos by time and image content. The approach is general, unsupervised, and makes minimal assumptions regarding the structure or statistics of the photo collection. We present results for the algorithm based solely on temporal similarity, and jointly on temporal and content-based similarity. We also describe a supervised algorithm based on learning vector quantization. Finally, we include experimental results for the proposed algorithms and several competing approaches on two test collections.

We present a system that allows remote and local participants to control devices in a meeting environment using mouse or pen based gestures "through" video windows. Unlike state-of-the-art device control interfaces that require interaction with text commands, buttons, or other artificial symbols, our approach allows users to interact with devices through live video of the environment. This naturally extends our video supported pan/tilt/zoom (PTZ) camera control system, by allowing gestures in video windows to control not only PTZ cameras, but also other devices visible in video images. For example, an authorized meeting participant can show a presentation on a screen by dragging the file on a personal laptop and dropping it on the video image of the presentation screen. This paper presents the system architecture, implementation tradeoffs, and various meeting control scenarios.

To simplify the process of editing interactive video, we developed the concept of "detail-on-demand" video as a subset of general hypervideo. Detail-on-demand video keeps the authoring and viewing interfaces relatively simple while supporting a wide range of interactive video applications. Our editor, Hyper-Hitchcock, provides a direct manipulation environment in which authors can combine video clips and place hyperlinks between them. To summarize a video, Hyper-Hitchcock can also automatically generate a hypervideo composed of multiple video summary levels and navigational links between these summaries and the original video. Viewers may interactively select the amount of detail they see, access more detailed summaries, and navigate to the source video through the summary.

In this paper, we describe how a detail-on-demand representation for interactive video is used in video summarization. Our approach automatically generates a hypervideo composed of multiple video summary levels and navigational links between these summaries and the original video. Viewers may interactively select the amount of detail they see, access more detailed summaries, and navigate to the source video through the summary. We created a representation for interactive video that supports a wide range of interactive video applications and Hyper-Hitchcock, an editor and player for this type of interactive video. Hyper-Hitchcock employs methods to determine (1) the number and length of levels in the hypervideo summary, (2) the video clips for each level in the hypervideo, (3) the grouping of clips into composites, and (4) the links between elements in the summary. These decisions are based on an inferred quality of video segments and temporal relations those segments.

The FXPAL Photo Application is designed to faciliate the organization of digital images from digital cameras and other sources through automated organization and intuitive user interfaces.

We demonstrate the use of detail-on-demand hypervideo in interactive training and video summarization. Detail-on-demand video allows viewers to watch short video segments and to follow hyperlinks to see additional detail. The player for detail-ondemand video displays keyframes indicating what links are available at each point in the video. The Hyper-Hitchcock authoring tool helps users create hypervideo by automatically dividing video into clips that can be combined in a direct manipulation interface. Clips can be grouped into composites and hyperlinks can be placed between clips and composites. A summarization algorithm creates multi-level hypervideo summaries from linear video by automatically selecting clips and placing links between them.

We present a framework for summarizing digital media based on structural analysis. Though these methods are applicable to general media, we concentrate here on characterizing repetitive structure in popular music. In the first step, a similarity matrix is calculated from inter-frame spectral similarity. Segment boundaries, such as verse-chorus transitions, are found by correlating a kernel along the diagonal of the matrix. Once segmented, spectral statistics of each segment are computed. In the second step, segments are clustered based on the pairwise similarity of their statistics, using a matrix decomposition approach. Finally, the audio is summarized by combining segments representing the clusters most frequently repeated throughout the piece. We present results on a small corpus showing more than 90% correct detection of verse and chorus segments.

This demonstration introduces UbiComp attendees to a system for content annotation and open-air, social blogging on interactive, publicly situated, digital poster boards using public and personal devices. We describe our motivation, a scenario of use, our prototype, and an outline of the demonstration.

As the Internet and related technologies for communication change, the role of communication in the conduct of business changes with it. Communication used to be viewed as a technical problem of separating signal from noise and managing bandwidth. Now it is a social matter in which negotiating differences in understanding among communicators is a primary business priority. Addressing this priority requires an understanding of how individuals interact in the course of their decision making activities. Using the work of Anthony Giddens as a point of departure, this paper views interaction in communication as consisting of three dimensions - meaning, authority, and trust. These three dimensions are used to identify new opportunities for advances in decision making technology that help deal with potential breakdowns in social interaction.

We present similarity-based methods to cluster digital photos by time and image content. This approach is general, unsupervised, and makes minimal assumptions regarding the structure or statistics of the photo collection. We describe versions of the algorithm using temporal similarity with and without content-based similarity, and compare the algorithms with existing techniques, measured against ground-truth clusters created by humans.

This paper presents a video acquisition system that can learn automatic video capture from human's camera operations. Unlike a predefined camera control system, this system can easily adapt to its environment changes with users' help. By collecting users' camera-control operations under various environments, the control system can learn video capture from human, and use these learned skills to operate its cameras when remote viewers don't, won't, or can't operate the system. Moreover, this system allows remote viewers to control their own virtual cameras instead of watching the same video produced by a human operator or a fully automatic system. The online learning algorithm and the camera management algorithm are demonstrated using field data.

Motivation: EST data reflects variation in gene expression, but previous methods for finding coexpressed genes in EST data are subject to bias and vastly overstate the statistical significance of putatively coexpressed genes. Results: We introduce a new method (LNP) that reports reasonable $p$-values and also detects more biological relationships in human dbEST than do previous methods. In simulations with human dbEST library sizes, previous methods report $p$-values as low as $10^{-30}$ on 1/1,000 uncorrelated pairs, while LNP reports significance correctly. We validate the analysis on real human genes by comparing coexpressed pairs to GO annotations and find that LNP is more sensitive than three previous methods. We also find a small but statistically significant level of coexpression between interacting proteins relative to randomized controls. The LNP method is based on a log-normal prior on the distribution of expression levels. Availability: Source code in Java or R is available at http://ests.sourceforge.net/

Hypervideo is a form of interactive video that allows users to follow links to other video. A simple form of hypervideo, called "detail-on-demand video," provides at most one link from one segment of video to another, supporting a singlebutton interaction. Detail-on-demand video is well suited for interactive video summaries, because the user can request a more detailed summary while watching the video. Users interact with the video is through a special hypervideo player that displays keyframes with labels indicating when a link is available. While detail-on-demand summaries can be manually authored, it is a time-consuming task. To address this issue, we developed an algorithm to automatically generate multi-level hypervideo summaries. The highest level of the summary consists of the most important clip from each take or scene in the video. At each subsequent level, more clips from each take or scene are added in order of their importance. We give one example in which a hypervideo summary is created for a linear training video. We also show how the algorithm can be modified to produce a hypervideo summary for home video.

Community poster boards serve an important community building function. Posted fliers advertise services, events and people's interests, and invite community members to communicate, participate, interact and transact. In this paper we describe the design, development and deployment of the Plasma Poster Network, a network of large screen, digital community poster boards, the Plasma Posters. An initial deployment of Plasma Posters is within our own organization, a software research community made up of technologists and designers. We present our motivation and two fieldwork studies of online and offline information sharing before describing the Plasma Posters and the underlying information storage and distribution infrastructure. Finally, we summarize findings from qualitative and quantitative evaluations of Plasma Poster usage and conclude by elaborating on socio-technical challenges that have been faced in the design and deployment of the Plasma Poster Network.

Much effort has been expended in creating online information resources to foster social networks, create synergies between collocated and remote colleagues, and enhance social capital within organizations. Following the observation that physical bulletin boards serve an important community building and maintenance function, in this paper we describe a network of large screen, digital bulletin boards, the Plasma Poster Network. The function of this system is to bridge the gap between online community interactions and shared physical spaces. We describe our motivation, a fieldwork study of information sharing practices within our organization, and an internal deployment of Plasma Posters.

Much effort has been expended in creating online spaces for people to meet, network, share and organize. However, there is relatively little work, in comparison, that has addressed creating awareness of online community activities for those gathered together physically. We describe our efforts to advertise the online community spaces of CHIplace and CSCWplace using large screen, interactive bulletin boards that show online community information mixed with content generated at the conference itself. Our intention was to raise awareness of the online virtual community within the offline, face-to-face event. We describe the two deployments, at CHI 2002 and at CSCW 2002, and provide utilization data regarding people's participation within the physical and virtual locales.

To simplify the process of editing interactive video, we developed the concept of "detail-on-demand" video as a subset of general hypervideo where a single button press reveals additional information about the current video sequence. Detail-on-demand video keeps the authoring and viewing interfaces relatively simple while supporting a wide range of interactive video applications. Our editor, Hyper-Hitchcock, builds on prior work on automatic analysis to find the best quality video clips. It introduces video composites as an abstraction for grouping and manipulating sets of video clips. Navigational links can be created between any two video clips or composites. Such links offer a variety of return behaviors for when the linked video is completed that can be tailored to different materials. Initial impressions from a pilot study indicate that Hyper-Hitchcock is easy to learn although the behavior of links is not immediately intuitive for all users.

With digital still cameras, users can easily collect thousands of photos. Our goal is to make organizing and browsing photos simple and quick, while retaining scalability to large collections. To that end, we created a photo management application concentrating on areas that improve the overall experience without neglecting the mundane components of such an application. Our application automatically divides photos into meaningful events such as birthdays or trips. Several user interaction mechanisms enhance the user experience when organizing photos. Our application combines a light table for showing thumbnails of the entire photo collection with a tree view that supports navigating, sorting, and filtering photos by categories such as dates, events, people, and locations. A calendar view visualizes photos over time and allows for the quick assignment of dates to scanned photos. We fine-tuned our application by using it with large personal photo collections provided by several users.

In a meeting room environment with multiple public wall displays and personal notebook computers, it is possible to design a highly interactive experience for manipulating and annotating slides. For the public displays, we present the ModSlideShow system with a discrete modular model for linking the displays into groups, along with a gestural interface for manipulating the flow of slides within a display group. For the applications on personal devices, an augmented reality widget with panoramic video supports interaction among the various displays. This widget is integrated into our NoteLook 3.0 application for annotating, capturing and beaming slides on pen-based notebook computers.

Existing hypertext systems have emphasized either the navigational or spatial expression of relationships between objects. We are exploring the combination of these modes of expression in Hyper-Hitchcock, a hypervideo editor. Hyper-Hitchcock supports a form of hypervideo called "detail-on-demand video" due to its applicability to situations where viewers need to take a link to view more details on the content currently being presented. Authors of detail-on-demand video select, group, and spatially arrange video clips into linear sequences in a two-dimensional workspace. Hyper-Hitchcock uses a simple spatial parser to determine the temporal order of selected video clips. Authors add navigational links between the elements in those sequences. This combination of navigational and spatial hypertext modes of expression separates the clip sequence from the navigational structure of the hypervideo. Such a combination can be useful in cases where multiple forms of inter-object relationships must be expressed on the same content.

Many readers annotate passages that are important to their work. If we understand the relationship between the types of marks on a passage and the passage's ultimate utility in a task, then we can design e-book software to facilitate access to the most important annotated parts of the documents. To investigate this hypothesis and to guide software design, we have analyzed annotations collected during an earlier study of law students reading printed case law and writing Moot Court briefs. This study has allowed us to characterize the relationship between the students' annotations and the citations they use in their final written briefs. We think of annotations that relate directly to the written brief as high-value annotations; these annotations have particular, detectable characteristics. Based on this study we have designed a mark parser that analyzes freeform digital ink to identify such high-value annotations.

In this article we argue that discourse structure constrains the set of possible constituents in a discourse that can provide the relevant context for structuring information in a target sentence, while information structure critically constrains discourse structure ambiguity. For the speaker, the discourse structure provides a set of possible contexts for continuation while information structure assignment is independent of discourse structure. For the hearer, the information structure of a sentence together with discourse structure instructs dynamic semantics how rhematic information should be used to update the meaning representation of the discourse (Polanyi and van den Berg, 1996).

This paper describes the technical details of the Messtop (also know as 'AttrActive Windows') animated paper flier interface for the Plasma Posters.

A novel method is presented for inaudibly hiding information in an audio signal by subtly applying time-scale modification to segments of the signal. The sequence, duration, and degree of the time-scale modifications are the parameters which encode information in the altered signal. By comparing the altered signal with a reference copy, compressed and expanded regions can be identified and the hidden data recovered. This approach is novel and has several advantages over other methods: it is theoretically noiseless, it introduces no spectral distortion, and it is robust to all known methods of reproduction, compression, and transmission.

We created an improved layout algorithm for automatically generating visual video summaries reminiscent of comic book pages. The summaries are comprised of images from the video that are sized according to their importance. The algorithm performs a global optimization with respect to a layout cost function that encompasses features such as the number of resized images and the amount of whitespace in the presentation. The algorithm creates summaries that: always fit exactly into the requested area, are varied by containing few rows with images of the same size, and have little whitespace at the end of the last row. The layout algorithm is fast enough to allow the interactive resizing of the summaries and the subsequent generation of a new layout.

We created an alternative approach to existing video summaries that gives viewers control over the summaries by selecting hyperlinks to other video with additional information. We structure such summaries as "detail-on-demand" video, a subset of general hypervideo in which at most one link to another video sequence is available at any given time. Our editor for such video, Hyper-Hitchcock, provides a workspace in which an author can select and arrange video clips, generate composites from clips and from other composites, and place links between composites. To simplify dealing with a large number of clips, Hyper-Hitchcock generates iconic representations for composites that can be used to manipulate the composite as a whole. In addition to providing an authoring environment, Hyper-Hitchcock can automatically generate multi-level hypervideo summaries for immediate use or as the starting point for author modification.

This paper presents an information-driven audiovisual signal acquisition approach. This approach has several advantages: users are encouraged to assist in signal acquisition; available sensors are managed based on both signal characteristics and users' suggestions. The problem formulation is consistent with many well-known empirical approaches widely used in previous systems and may provide analytical explanations to these approaches. We demonstrate the use of this approach to pan/tilt/zoom (PTZ) camera management with field data.

A basic objective of ubiquitous computing research is ubiquitous information: the ability to utilize any content or service, using devices that are always at hand, over networks that don't tie us down. Although much progress has been made, the ideal remains elusive. This paper reflects on the interrelations among three dimensions of ubiquitous information: content, devices, and networks. We use our understanding of these dimensions to motivate our own attempt to create a ubiquitous information system by combining unlimited World Wide Web content with mobile phones and mobile phone networks. We briefly describe a middleware proxy system we developed to increase the usefulness of very small devices as Internet terminals. We conclude with a post-mortem analysis highlighting lessons learned for others interested in information systems for very small devices.

Everywhere we go, we are surrounded by shared devices: TVs, stereos, and appliances in the home; copiers, fax machines, and projectors in the office; phones and vending machines in public. Because these devices don't know who we are, they provide the same user interface and functionality to everyone. This paper describes a system for personalizing workplace document devices- projectors, public displays, and multi-function copiers-that has been in use for over two years in our organization. We compare user interfaces that are embedded (i.e., integrated or co-located with the shared device) versus portable (i.e., accessible via portable devices such as mobile phones or PDAs). We summarize lessons learned for others designing interfaces for shared ubiquitous devices.

Purveyors of knowledge management software have a disconcerting tendency to promote the myth that all problems may be solved by more powerful tools for the exchange of information in the workplace. This fallacy is based on the faulty assumption that knowledge management is about the management of knowledge (as if knowledge were a commodity that could be managed), as opposed to the management of people whose work depends critically on what they know. The origins of knowledge management are far more firmly rooted in the psychological legacy of organizational communication than they are in the technological legacy of information management systems. However, even organizational communication is an inadequate foundation, since various schools of thought in social theory, particularly the structuration theory of Anthony Giddens, inform us that interaction (in the workplace or in any other social setting) is not strictly limited to communication. Knowledge management thus requires moving beyond simplistic models of information exchange to more challenging problems of leveraging social interaction to the advantage of the enterprise. This paper focuses on the claim of structuration theory that the dimension of communication should be supplemented with additional dimensions of power and sanction. This perspective is then examined in light of a case study of crisis management practices, and the case study provides a basis for addressing implications for technological support.

This is a volume, edited by Ye and Churchill. The chapters detail the design of agent-baed technologies in service of collaborative and cooperative work practices.

In this paper we describe AttrActive Windows, a novel interface for presenting live, interactive, multimedia content on a network of public, digital, bulletin boards. Implementing a paper flyer metaphor, AttrActive Windows are paper-like in appearance and are attached to a virtual corkboard by virtual pushpins. Windows can therefore appear in different orientations, creating an attractive, informal look. Attractive Windows can also have autonomous behaviors that are consistent with the corkboard metaphor, like fluttering in the wind. We describe the AttrActive Windows prototype, and offer the results of an initial evaluative user study.

Shared freeform input is a technique for facilitating note taking across devices during a meeting. Laptop users enter text with a keyboard, whereas PDA and Tablet PC users input freeform ink with their stylus. Users can quickly reuse text and freeform ink already entered by others. We show how a new technique, freeform pasting, allowed us to deal with a variety of design issues such as quick and informal ink sharing, screen real estate, privacy and mixing ink-based and textual material.

This chapter is an introduction to an edited volume on Agnet supported cooperative work.

An introduction to a special issue on mediated communication.

We present a framework for analyzing the structure of digital media streams. Though our methods work for video,text,and audio,we concentrate on detecting the structure of digital music files. In the first step,spectral data is used to construct a similarity matrix calculated from inter-frame spectral similarity. The digital audio can be robustly segmented by correlating a ernel along the diagonal of the similarity matrix. Once segmented, spectral statistics of each segment are computed.In the second step,segments are clustered based on the self- similarity of their statistics. This reveals the structure of the digital music in a set of segment boundaries and labels.Finally,the music can be summarized by selecting clusters with repeated segments throughout the piece. The summaries can be customized for various applications based on the structure of the original music.

We introduce the AttrActive Windows user interface, a novel approach for presenting interactive content on large screen, interactive, digital, bulletin boards. Moving away from the desktop metaphor, AttrActive Windows are dynamic, non-uniform windows that can appear in different orientations and have autonomous behaviours to attract passers-by and invite interactions.

We present a novel approach to automatically ex-tracting summary excerpts from audio and video. Our approach is to maximize the average similarity between the excerpt and the source. We first calculate a similarity matrix by comparing each pair of time samples using a quantitative similarity measure. To determine the segment with highest average similarity, we maximize the summation of the self-similarity matrix over the support of the segment. To select multiple excerpts while avoiding redundancy, we compute the non-negative matrix factorization (NMF) of the similarity matrix into its essential structural components. We then build a summary comprised of excerpts from the main components, selecting the excerpts for maximum average similarity within each component. Variations integrating segmentation and other information are also discussed, and experimental results are presented.

Hitchcock is a semi-automatic video editing system. This video shows users collaboratively authoring a home video.

We present methods for automatic and semi-automatic creation of music videos, given an arbitrary audio soundtrack and source video. Significant audio changes are automatically detected; similarly, the source video is automatically segmented and analyzed for suitability based on camera motion and exposure. Video with excessive camera motion or poor contrast is penalized with a high unsuitability score, and is more likely to be discarded in the final edit. High quality video clips are then automatically selected and aligned in time with significant audio changes. Video clips are adjusted to match the audio segments by selecting the most suitable region of the desired length. Besides a fully automated solution, our system can also start with clips manually selected and ordered using a graphical interface. The video is then created by truncating the selected clips (preserving the high quality portions) to produce a video digest that is synchronized with the soundtrack music, thus enhancing the impact of both.

FlySPEC is a video camera system designed for real-time remote operation. A hybrid design combines the high resolution possible using an optomechanical video camera, with the wide field of view always available from a panoramic camera. The control system integrates requests from multiple users with the result that each controls a virtual camera. The control system seamlessly integrates manual and fully automatic control. It supports a range of options from untended automatic to full manual control, and the system can learn control strategies from user requests. Additionally, the panoramic view is always available for an intuitive interface, and objects are never out of view regardless of the zoom factor. We present the system architecture, an information-theoretic approach to combining panoramic and zoomed images to optimally satisfy user requests, and experimental results that show the FlySPEC system significantly assists users in a remote inspection tasks.

Technology can play an important role in enabling people to interact with each other. The Web is one such technology with the affordances for sharing information and for connecting people to people. In this paper, we describe the design of two social interaction Web sites for two different social groups. We review several related efforts to provide principles for creating social interaction environments and describe the specific principles that guided our design. To examine the effectiveness of the two sites, we analyze the usage data. Finally, we discuss approaches for encouraging participation and lessons learned.